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      Auxiliaries for Acrylic Painting

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      64 article   /   162 Variants
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      • Lascaux screenprinting paste
        3 Variants
        Lascaux screenprinting paste
        from 20,40 €
        highly viscous, colourless paste, an admixture of water and propandiol with acrylic copolymer, no hazard label required as per GefStoffV (Dangerous Substances Directive)
      • Lascaux acrylic transparent varnish
        9 Variants
        Lascaux acrylic transparent varnish
        from 8,85 €
        pure acrylic dispersion, can be thinned with water, abrasion-proof, waterproof, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per coat, shelf life after opening is 4...
      • Lascaux UV Protect varnish
        3 Variants
        Lascaux UV Protect varnish
        from 25,80 €
        pure acrylic polymer with UV absorber, odour-free solvent, propellant gas without CFC, transparent colourless, archival quality (resoluble), abrasion resistant, waterproof, lightfast, age resistant, non-yellowing, can...
      • Caparol acrylic binder, semi-gloss
         
        Caparol acrylic binder, semi-gloss
        from 24,50 €
        medium for acrylic pigments, semi-gloss when dry
      • Modulor light moulding paste
         
        Modulor light moulding paste
        from 15,75 €
        contains no granulates, firm-crumbly putty with a low-density filler, can be thinned with water and mixed with pigments, fast-drying (depending on the thickness of the application, from between 2 and 12 hours),...
      • Modulor Acrylic binder D 498, semi-glossy
        2 Variants
        Modulor Acrylic binder D 498, semi-glossy
        from 12,90 €
        medium for acrylic pigments, semi-gloss when dry
      • Lascaux gel Impasto
        6 Variants
        Lascaux gel Impasto
        from 8,85 €
        aid for obtaining texture in all Lascaux acrylic paints, pure acrylic dispersion, transparent or semi-transparent , colourless, pasty consistency , can be thinned with water, gel 1 and gel 2 intermixable, ductile and...
      • Acrylic Molding Paste
        6 Variants
        Acrylic Molding Paste
        from 11,80 €
        paste for modeling of relief-like structures in acrylic painting techniques, acrylic resin based, natural white and opaque, matte, waterproof when dry, can be painted over and dyed, can be sanded, physiologically and...
      • Golden GAC 900 fabric painting medium
         
        Golden GAC 900 fabric painting medium
        from 14,60 €
        acrylic polymer binding agent, water-based, liquid consistency, milky-white in liquid condition, hazard warning: Xn = hazardous to health
      • Lascaux acrylic varnish UV
        9 Variants
        Lascaux acrylic varnish UV
        from 10,00 €
        pure acrylic dispersion with UV absorber, can be thinned with water, abrasion-proof, waterproof, weather-resistant, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per...
      • Lascaux Retarder
        4 Variants
        Lascaux Retarder
        from 9,70 €
        retards the drying time of acrylic paint, acrylic polymer in water/propranediol mixture, colourless transparent, pasty consistency, thinnable with water (up to 1:10), additive amount for acrylic paint: 10-30%,...
      • Golden Polymer varnish
        3 Variants
        Golden Polymer varnish
        from 16,30 €
        varnish for acrylic paints, styrene acrylic copolymer solution with UV light stabilizer, water-based, transparent or, alternatively, translucent colourless, can be thinned with distilled water, abrasion-resistant,...
      • Golden Crackle paste
         
        Golden Crackle paste
        from 14,60 €
        styrene acrylic copolymer binding agent, water-based, extra pasty consistency, white-grey and opaque, when dry it has a matte, fissured surface, absorbent, hard, porous, high degree of shrinkage, mixable with acrylic...
      • Royal Talens Amsterdam heavy gel medium
        2 Variants
        Royal Talens Amsterdam heavy gel medium
        from 10,30 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, very pasty...
      • Royal Talens Amsterdam varnish
        4 Variants
        Royal Talens Amsterdam varnish
        from 5,90 €
        final varnish for acrylic and oil paints, acrylic resin-based, white spirit, turpentine oil, transparent colourless, non-yellowing, can be thinned and removed with white spirit, hazard warning: Xi = irritant, F+ =...
      • Golden Acrylic Flow Release
         
        Golden Acrylic Flow Release
        from 9,30 €
        additive for acrylic paint to increase the flow characteristics, not ready-to-use (must be diluted 1 part flow release to 10-20 parts water), hazard warning: Xn = hazardous to health
      • Golden medium set
         
        Golden medium set
        from 27,50 €
        six different acrylic pastes and gels for creating structures, textures, and grounds (primers); contents: Fine Pumice gel, Crackle paste, Acrylic Ground (primer) for pastels, Fiber paste, Coarse Molding paste,...
      • Schmincke College Gloss Gel
         
        Schmincke College Gloss Gel
        from 7,90 €
        auxiliary for increasing glossiness on acrylic paintings, made of copolymer dispersion, additives and water; pH is 8-10, transparent colourless, very pasty consistency, glossy when dry, no hazardous label required by...
      • Royal Talens Amsterdam gel medium
        2 Variants
        Royal Talens Amsterdam gel medium
        from 10,30 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
      • Royal Talens Amsterdam retarder
         
        Royal Talens Amsterdam retarder
        from 6,20 €
        delays the drying time of acrylic paints, slowly evaporating polyhydric alcohol, transparent colourless, can be thinned with water, maximum additive amount to acrylic paint is 5%
      • Golden GAC 200 Acrylic Polymer
         
        Golden GAC 200 Acrylic Polymer
        from 13,70 €
        acrylic polymer binding agent, water-based, liquid consistency, milky-white in liquid condition; transparent and high gloss when dry, hard, used only when mixed with acrylic paints, waterproof
      • Royal Talens Amsterdam acrylic remover
         
        Royal Talens Amsterdam acrylic remover
        from 6,10 €
        natural solvent (ethyl lactate), liquid, mild odour, completely biodegradable, hazardous warning: Xi = irritant
      • Lascaux Thickener
        2 Variants
        Lascaux Thickener
        from 8,85 €
        auxiliary for increasing the viscosity of acrylic paints; acrylic polymer in water, transparent colourless, pasty consistency, thinnable with water (up to 1:10), no binding agent, additive amount to acrylic paint: up...
      • Golden Heavy gel
        3 Variants
        Golden Heavy gel
        from 14,60 €
        acrylic polymer binding agent, water-based, very pasty consistency, white when wet, translucent colourless when dry, mixable with acrylic paints, other gels and painting mediums; waterproof, flexible, lightfast,...
      • Royal Talens Amsterdam extra heavy gel medium
        2 Variants
        Royal Talens Amsterdam extra heavy gel medium
        from 9,90 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
      • Schmincke College Structuring Paste
         
        Schmincke College Structuring Paste
        from 7,90 €
        modelling paste for relief-like structures or textures in acrylic painting (on flexible substrates), made of copolymer dispersion, fillers, additives and water; pH is 8-10, white, lightweight, pasty consistency, no...
      • Golden Self Leveling clear gel
         
        Golden Self Leveling clear gel
        from 14,60 €
        acrylic polymer binding agent, water-based, slow-flowing, pourable, milky white when liquid (wet), transparent colourless and high gloss when dry; mixable with acrylic paints, other gels and painting mediums;...
      • Golden Soft gel
        3 Variants
        Golden Soft gel
        from 14,60 €
        acrylic polymer binding agent, water-based, viscous, milky white in liquid form, transparent or, alternatively, translucent colourless when dry, miscible with acrylic paints, other gels, pastes and painting mediums,...
      • Schmincke College Matt Gel
         
        Schmincke College Matt Gel
        from 7,90 €
        auxiliary that gives matte finish on acrylic paintings, made of copolymer dispersion, matte finishing agent, additives and water, Density: 1,1-1,2 g/ml, pH is 8-10, semi-transparent colourless, matte finish when dry,...
      • Golden Hard Molding paste
         
        Golden Hard Molding paste
        from 13,70 €
        acrylic polymer binding agent with fillers, water-based, very pasty consistency; white-grey, opaque, semi-gloss finish when dry; extremely hard, flexible, can be sanded and carved, miscible with acrylic paints, other...
      • Golden Clear Granular gel
         
        Golden Clear Granular gel
        from 15,50 €
        acrylic polymer binding agent with acrylic granules added, water-based, pasty consistency, translucent colourless, glossy and rough when dry. absorbent, hard, miscible with acrylic paints and other gels and pastes and...
      • Golden Glass Bead gel
         
        Golden Glass Bead gel
        from 15,20 €
        acrylic polymer binding agent with glass beads added, water-based, pasty consistency, translucent colourless, glossy when dry, hard, miscible with acrylic paints and other gels and pastes and painting mediums,...
      • Golden Absorbent Ground
         
        Golden Absorbent Ground
        from 15,50 €
        acrylic primer for glazing techniques on canvas, water-based, liquid, white, can be thinned with water, has rough paper-like surface when dry; also waterproof, flexible, lightfast (non-fading), age resistant when dry
      • Pebeo auxiliary for Artist Acrylics
        9 Variants
        Pebeo auxiliary for Artist Acrylics
        from 6,70 €
        various artist quality auxiliaries for acrylic paints for priming, creating textures, increasing glossiness, etc.
      • Golden Acrylic Glazing Liquid
        2 Variants
        Golden Acrylic Glazing Liquid
        from 10,50 €
        pure acrylic polymer emulsion, water-based, milky white, transparent colourless when dry
      • Schmincke College Modelling Paste
         
        Schmincke College Modelling Paste
        from 7,90 €
        paste for modeling relief types of textures and structures in acrylic paintings (on rigid substrates), made of copolymer dispersion, additives and water; pH is 8-10, white, opaque, very pasty consistency, no hazardous...
      Information about Auxiliaries for Acrylic Painting

      Golden Auxiliaries for Acrylic Painting

      The Golden auxiliaries for acrylic painting include primers (grounds) for preparing painting surfaces as well as painting agents and additives with which the processing characteristics as well as the transparency, glossiness and viscosity of acrylic paints can be altered.

      A third, very large group is comprised of the gels and textural (form) pastes whose general attributes and differences are the subject of these introductory remarks.

      Gels and textural pastes primarily serve as a way to build structures and textures in the acrylic painting process while at the same time altering the level of glossiness and transparency of the acrylic paints themselves. The range of different consistencies runs from liquid and pourable (e,g. GOLDEN SELF LEVELING CLEAR GEL) to very pasty and mouldable (e.g. GOLDEN LIGHT MOLDING PASTE), while the level of glossiness that is customizable runs from high gloss to deep matte. The difference between gels and textural pastes lies in their transparency or, from the other perspective, their opacity. Both are white in colour when liquid; gels, however, become transparent colourless or, alternatively, translucent colourless when dry while textural pastes, on the other hand, are white opaque when dry because they contain additives like, for example, marble dust. When mixed with acrylic paint, textural (form) pastes increase the paint´s opacity but nonetheless make it more “pastel-like” -  much like the addition of white acrylic paints does.

      A gel is basically an acrylic paint without the pigments – in other words it functions like a binding agent. This makes gels perfect for extending (thinning) paints for cost-saving or artistic purposes. If a large amount of gel is added to a paint it will increase its transparency while still allowing it to keep its good paint application properties. The glossy, semi-matte or matte gel versions can be selected based on the desired glossiness for your acrylic paint.

      Another use of gels and pastes is the alteration of an acrylic paint´s consistency. GOLDEN HEAVY BODY ACRYLICS, for example, can be made more fluid by adding CLEAR TAR GEL, while with EXTRA HEAVY GEL it can be made more pasty in order to use it for the impasto painting technique. Structural elements can of course be built up with pure gels or pastes whereby they can subsequently be painted over with acrylic colours. This method produces the most pronounced structure.

      Because most of the gels are indeed pure binding agents they can be used in conjunction with dry pigments to make your own acrylic paints! For this project the glossy gel versions have the best binding properties and change the luminosity of your pigments the least.

      Gels and pastes are also great for gluing collages because of their adhesive properties.

      The Golden gels and pastes have the same degree of waterproofness, age resistance, lightfastness as well as archival quality as the acrylic paints.

      Processing: Gels and pastes can be used as grounds (primers), can be applied over acrylic paints or can be mixed with them. Most of the gels and pastes are intermixable and can also be mixed with other mediums and additives. They can be applied to practically all grease-free surfaces; non-absorbent substrates must be sanded prior to application. The minimum working temperature is +9 °C. All mixing work should be done with a great degree of finesse because strong stirring or (God forbid) shaking will cause unwanted foam to develop. Drying times are dependent on environmental factors like temperature, humidity and ventilation and can be as long as months in the case of thick applications. The milky film of the binding agent only disappears after curing has completely finished. Any tools used can be cleaned with water and soap.

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