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        Tools & Chemicals

        Auxiliaries for Acrylic Painting

        Tools & Chemicals

        Application

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        64 article   /   178 Variants
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        • Lascaux UV Protect varnish
          3 Variants
          Lascaux UV Protect varnish
          from 25,80 €
          pure acrylic polymer with UV absorber, odour-free solvent, propellant gas without CFC, transparent colourless, archival quality (resoluble), abrasion resistant, waterproof, lightfast, age resistant, non-yellowing, can...
        • Lascaux acrylic varnish UV
          9 Variants
          Lascaux acrylic varnish UV
          from 10,00 €
          pure acrylic dispersion with UV absorber, can be thinned with water, abrasion-proof, waterproof, weather-resistant, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per...
        • Lascaux screenprinting paste
          3 Variants
          Lascaux screenprinting paste
          from 20,40 €
          highly viscous, colourless paste, an admixture of water and propandiol with acrylic copolymer, no hazard label required as per GefStoffV (Dangerous Substances Directive)
        • Lascaux acrylic transparent varnish
          9 Variants
          Lascaux acrylic transparent varnish
          from 8,85 €
          pure acrylic dispersion, can be thinned with water, abrasion-proof, waterproof, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per coat, shelf life after opening is 4...
        • Acrylic Molding Paste
          6 Variants
          Acrylic Molding Paste
          from 11,60 €
          paste for modeling of relief-like structures in acrylic painting techniques, acrylic resin based, natural white and opaque, matte, waterproof when dry, can be painted over and dyed, can be sanded, physiologically and...
        • Lascaux Retarder
          4 Variants
          Lascaux Retarder
          from 9,70 €
          retards the drying time of acrylic paint, acrylic polymer in water/propranediol mixture, colourless transparent, pasty consistency, thinnable with water (up to 1:10), additive amount for acrylic paint: 10-30%,...
        • Modulor light moulding paste
           
          Modulor light moulding paste
          from 15,75 €
          contains no granulates, firm-crumbly putty with a low-density filler, can be thinned with water and mixed with pigments, fast-drying (depending on the thickness of the application, from between 2 and 12 hours),...
        • Lascaux Thickener
          2 Variants
          Lascaux Thickener
          from 8,85 €
          auxiliary for increasing the viscosity of acrylic paints; acrylic polymer in water, transparent colourless, pasty consistency, thinnable with water (up to 1:10), no binding agent, additive amount to acrylic paint: up...
        • Pebeo auxiliaries for Studio Acrylics
          24 Variants
          Pebeo auxiliaries for Studio Acrylics
          from 4,30 €
          various auxiliaries for use with Studio quality acrylic paints: includes primer, medium creating structure and texture, medium for increasing glossiness, etc.
        • Schmincke heavy body gel for acrylics
           
          Schmincke heavy body gel for acrylics
          from 6,60 €
          modeling gel for acrylic painting, made of pure acrylate, additives and water, pH is 8-10, pasty consistency, colourless transparent, glossy, no hazardous label required by the German Hazardous Substance Ordinance
        • Schmincke golden flakes-gel for acrylics
           
          Schmincke golden flakes-gel for acrylics
          from 6,80 €
          sculpturing metallic effect gel for acrylic painting, made of pure acrylate, pigments, additives and water; pH is 8-10, gold-coloured, pasty consistency, metallic/crystaline when dry, no hazardous label required by...
        • Golden Absorbent Ground
           
          Golden Absorbent Ground
          from 15,50 €
          acrylic primer for glazing techniques on canvas, water-based, liquid, white, can be thinned with water, has rough paper-like surface when dry; also waterproof, flexible, lightfast (non-fading), age resistant when dry
        • Golden Acrylic Glazing Liquid
          2 Variants
          Golden Acrylic Glazing Liquid
          from 10,50 €
          pure acrylic polymer emulsion, water-based, milky white, transparent colourless when dry
        • Royal Talens Amsterdam extra heavy gel medium
          2 Variants
          Royal Talens Amsterdam extra heavy gel medium
          from 10,30 €
          auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
        • Golden Regular gel
          3 Variants
          Golden Regular gel
          from 14,60 €
          acrylic polymer binding agent, water-based, pasty consistency, white when liquid, transparent or, alternatively, translucent colourless when dry, can be mixed with acrylic paints, other gels, pastes and painting...
        • Pebeo auxiliary for Artist Acrylics
          22 Variants
          Pebeo auxiliary for Artist Acrylics
          from 6,70 €
          various artist quality auxiliaries for acrylic paints for priming, creating textures, increasing glossiness, etc.
        • Lascaux Structura modelling paste
          3 Variants
          Lascaux Structura modelling paste
          from 15,95 €
          light texture paste for acrylic paints, pure acrylic dispersion with modified quartz fillers, fine grained, can be thinned with water, satin-matte and elastic-hard when dry, absorbent, can be sanded, age-resistant,...
        • Modulor Acrylic binder D 498, semi-glossy
          2 Variants
          Modulor Acrylic binder D 498, semi-glossy
          from 12,90 €
          medium for acrylic pigments, semi-gloss when dry
        • Golden medium set
           
          Golden medium set
          from 27,50 €
          six different acrylic pastes and gels for creating structures, textures, and grounds (primers); contents: Fine Pumice gel, Crackle paste, Acrylic Ground (primer) for pastels, Fiber paste, Coarse Molding paste,...
        • Caparol acrylic binder, semi-gloss
           
          Caparol acrylic binder, semi-gloss
          from 24,50 €
          medium for acrylic pigments, semi-gloss when dry
        • Golden Extra Heavy gel
          3 Variants
          Golden Extra Heavy gel
          from 14,60 €
          acrylic polymer binding agent, water-based, extra pasty consistency, white when liquid; translucent colourless when dry, miscible with acrylic paints, other gels and pastes and painting mediums
        • Golden GAC 900 fabric painting medium
           
          Golden GAC 900 fabric painting medium
          from 14,60 €
          acrylic polymer binding agent, water-based, liquid consistency, milky-white in liquid condition, hazard warning: Xn = hazardous to health
        • Schmincke College Structuring Paste
           
          Schmincke College Structuring Paste
          from 7,60 €
          modelling paste for relief-like structures or textures in acrylic painting (on flexible substrates), made of copolymer dispersion, fillers, additives and water; pH is 8-10, white, lightweight, pasty consistency, no...
        • Golden Soft gel
          3 Variants
          Golden Soft gel
          from 14,60 €
          acrylic polymer binding agent, water-based, viscous, milky white in liquid form, transparent or, alternatively, translucent colourless when dry, miscible with acrylic paints, other gels, pastes and painting mediums,...
        • Royal Talens Amsterdam gel medium
          2 Variants
          Royal Talens Amsterdam gel medium
          from 10,30 €
          auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
        • Royal Talens Amsterdam varnish
          4 Variants
          Royal Talens Amsterdam varnish
          from 6,00 €
          final varnish for acrylic and oil paints, acrylic resin-based, white spirit, turpentine oil, transparent colourless, non-yellowing, can be thinned and removed with white spirit, hazard warning: Xi = irritant, F+ =...
        • Schmincke crystal flakes-gel for acrylics
           
          Schmincke crystal flakes-gel for acrylics
          from 6,30 €
          modelling effect gel for acrylic painting, made of pure acrylate, transparent polyester glitter, additives and water; pH is 8-10, transparent, pasty consistency, white crystalline when dry, no hazardous label required...
        • Daler-Rowney interference medium shimmering colour
          7 Variants
          Daler-Rowney interference medium shimmering colour
          from 6,50 €
          water-based, high viscosity, elastic-hard and waterproof when dry, colours are intermixable and can be mixed with acrylic paint
        • Lascaux matting agent
           
          Lascaux matting agent
          from 14,60 €
          aid for attaining a matte effect for acrylic paints, silicic acid with acrylic polymer in water, semi-transparent, matte and water soluble when dry, can be thinned with water, no binders, lightfast (non-fading),...
        • Golden Pumice gel
          3 Variants
          Golden Pumice gel
          from 13,80 €
          acrylic polymer binding agent with pumice added, water-based, pasty consistency, light grey and opaque, matte and rough when dry, absorbent, hard, miscible with acrylic paints and other gels and pastes and painting...
        • Royal Talens Amsterdam acrylic thickener
           
          Royal Talens Amsterdam acrylic thickener
          from 10,30 €
          additive for increasing the viscosity of acrylic paints, acrylate thickener in water, milky white when in liquid form, colourless transparent and waterproof when dry, should be added in small quantities, working...
        • Royal Talens Amsterdam retarder
           
          Royal Talens Amsterdam retarder
          from 6,20 €
          delays the drying time of acrylic paints, slowly evaporating polyhydric alcohol, transparent colourless, can be thinned with water, maximum additive amount to acrylic paint is 5%
        • Golden Light Molding paste
           
          Golden Light Molding paste
          from 13,70 €
          acrylic polymer binding agent with lightweight filler, water-based, extra pasty consistency, white and opaque; semi-matte when dry, absorbent, flexible, can be sanded; miscible with acrylic paints, other pastes, gels...
        • Golden Self Leveling clear gel
           
          Golden Self Leveling clear gel
          from 14,60 €
          acrylic polymer binding agent, water-based, slow-flowing, pourable, milky white when liquid (wet), transparent colourless and high gloss when dry; mixable with acrylic paints, other gels and painting mediums;...
        • Royal Talens modelling paste Amsterdam
           
          Royal Talens modelling paste Amsterdam
          from 10,30 €
          auxiliary for creating textures with acrylic paints, white pigments (titanium oxide) in acrylic resin dispersion, thickener, thinnable with water, waterproof when dry, non-yellowing, can be painted over with oil or...
        • Royal Talens Amsterdam acrylic medium
          2 Variants
          Royal Talens Amsterdam acrylic medium
          from 6,10 €
          thinner for acrylic paints that still preserves the durability of the paint coat, acrylic resin dispersion (the matte version contains the matting agent silicate), water-based, milky white when liquid, colourless...
        Information about Auxiliaries for Acrylic Painting

        Golden Auxiliaries for Acrylic Painting

        The Golden auxiliaries for acrylic painting include primers (grounds) for preparing painting surfaces as well as painting agents and additives with which the processing characteristics as well as the transparency, glossiness and viscosity of acrylic paints can be altered.

        A third, very large group is comprised of the gels and textural (form) pastes whose general attributes and differences are the subject of these introductory remarks.

        Gels and textural pastes primarily serve as a way to build structures and textures in the acrylic painting process while at the same time altering the level of glossiness and transparency of the acrylic paints themselves. The range of different consistencies runs from liquid and pourable (e,g. GOLDEN SELF LEVELING CLEAR GEL) to very pasty and mouldable (e.g. GOLDEN LIGHT MOLDING PASTE), while the level of glossiness that is customizable runs from high gloss to deep matte. The difference between gels and textural pastes lies in their transparency or, from the other perspective, their opacity. Both are white in colour when liquid; gels, however, become transparent colourless or, alternatively, translucent colourless when dry while textural pastes, on the other hand, are white opaque when dry because they contain additives like, for example, marble dust. When mixed with acrylic paint, textural (form) pastes increase the paint´s opacity but nonetheless make it more “pastel-like” -  much like the addition of white acrylic paints does.

        A gel is basically an acrylic paint without the pigments – in other words it functions like a binding agent. This makes gels perfect for extending (thinning) paints for cost-saving or artistic purposes. If a large amount of gel is added to a paint it will increase its transparency while still allowing it to keep its good paint application properties. The glossy, semi-matte or matte gel versions can be selected based on the desired glossiness for your acrylic paint.

        Another use of gels and pastes is the alteration of an acrylic paint´s consistency. GOLDEN HEAVY BODY ACRYLICS, for example, can be made more fluid by adding CLEAR TAR GEL, while with EXTRA HEAVY GEL it can be made more pasty in order to use it for the impasto painting technique. Structural elements can of course be built up with pure gels or pastes whereby they can subsequently be painted over with acrylic colours. This method produces the most pronounced structure.

        Because most of the gels are indeed pure binding agents they can be used in conjunction with dry pigments to make your own acrylic paints! For this project the glossy gel versions have the best binding properties and change the luminosity of your pigments the least.

        Gels and pastes are also great for gluing collages because of their adhesive properties.

        The Golden gels and pastes have the same degree of waterproofness, age resistance, lightfastness as well as archival quality as the acrylic paints.

        Processing: Gels and pastes can be used as grounds (primers), can be applied over acrylic paints or can be mixed with them. Most of the gels and pastes are intermixable and can also be mixed with other mediums and additives. They can be applied to practically all grease-free surfaces; non-absorbent substrates must be sanded prior to application. The minimum working temperature is +9 °C. All mixing work should be done with a great degree of finesse because strong stirring or (God forbid) shaking will cause unwanted foam to develop. Drying times are dependent on environmental factors like temperature, humidity and ventilation and can be as long as months in the case of thick applications. The milky film of the binding agent only disappears after curing has completely finished. Any tools used can be cleaned with water and soap.

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