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      Auxiliaries for Acrylic Painting

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      85 Article(s)   /   165 Variants
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      • Acrylic Molding Paste
        6 Variants
        Acrylic Molding Paste
        from 15,90 €
        paste for modeling of relief-like structures in acrylic painting techniques, acrylic resin based, natural white and opaque, matte, waterproof when dry, can be painted over and dyed, can be sanded, physiologically and...
      • Lascaux acrylic transparent varnish
        9 Variants
        Lascaux acrylic transparent varnish
        from 8,90 €
        pure acrylic dispersion, can be thinned with water, abrasion-proof, waterproof, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per coat, shelf life after opening is 4...
      • Modulor Acrylic binder D 498, semi-glossy
        2 Variants
        Modulor Acrylic binder D 498, semi-glossy
        from 13,90 €
        medium for acrylic pigments, semi-gloss when dry
      • Lascaux acrylic varnish UV
        9 Variants
        Lascaux acrylic varnish UV
        from 10,00 €
        pure acrylic dispersion with UV absorber, can be thinned with water, abrasion-proof, waterproof, weather-resistant, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per...
      • Up to-20%
        Royal Talens Amsterdam varnish
        6 Variants
        Royal Talens Amsterdam varnish
        from 6,00 €
        final varnish for acrylic and oil paints, acrylic resin-based, white spirit, turpentine oil, transparent colourless, non-yellowing, can be thinned and removed with white spirit
      • Lascaux screenprinting paste
        3 Variants
        Lascaux screenprinting paste
        from 20,40 €
        highly viscous, colourless paste, an admixture of water and propandiol with acrylic copolymer, no hazard label required as per GefStoffV (Dangerous Substances Directive)
      • Liquitex Pouring Medium
        2 Variants
        Liquitex Pouring Medium
        from 15,30 €
        Material: liquid medium, transparent, glossy, Properties: increases the color flow of acrylic paints, flexible after drying, doesn't yellow, waterproof, Mixing ratio: Start with 5% color and 95% medium and adjust by adding color
      • Lascaux UV Protect varnish
        3 Variants
        Lascaux UV Protect varnish
        from 27,60 €
        pure acrylic polymer with UV absorber, odour-free solvent, propellant gas without CFC, transparent colourless, archival quality (resoluble), abrasion resistant, waterproof, lightfast, age resistant, non-yellowing, can...
      • Modulor light moulding paste
         
        Modulor light moulding paste
        from 17,90 €
        contains no granulates, firm-crumbly putty with a low-density filler, can be thinned with water and mixed with pigments, fast-drying (depending on the thickness of the application, from between 2 and 12 hours),...
      • Lascaux Structura modelling paste
        3 Variants
        Lascaux Structura modelling paste
        from 15,95 €
        light texture paste for acrylic paints, pure acrylic dispersion with modified quartz fillers, fine grained, can be thinned with water, satin-matte and elastic-hard when dry, absorbent, can be sanded, age-resistant,...
      • Golden Polymer varnish with UVLS
        3 Variants
        Golden Polymer varnish with UVLS
        from 27,90 €
        Content: 100% reversible acrylic copolymer resin, Volume: 400 ml, Packaging: Spray can, Properties: glossy, satin, matt
      • Schmincke Pouring Medium S
        2 Variants
        Schmincke Pouring Medium S
        from 17,20 €
        Material: polyurethane and acrylate dispersion, Content: 500 ml or 1000 ml, Properties: good flow properties; water-resistant & transparent drying; non-yellowing; depending on the mixing ratio, glossy to semi-gloss; ...
      • Schmincke glossy lacquer for acrylics
         
        Schmincke glossy lacquer for acrylics
        from 13,20 €
        water-based protective varnish for acrylic painting especially in outdoor areas (improves weather resistance), pH 8-10, viscous, transparent colourless when dry, no hazardous label required by the German Hazardous...
      • Lascaux gel Impasto
        6 Variants
        Lascaux gel Impasto
        from 8,85 €
        aid for obtaining texture in all Lascaux acrylic paints, pure acrylic dispersion, transparent or semi-transparent , colourless, pasty consistency , can be thinned with water, gel 1 and gel 2 intermixable, ductile and...
      • Royal Talens Amsterdam gel medium
        2 Variants
        Royal Talens Amsterdam gel medium
        from 13,10 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
      • Golden Soft gel
        3 Variants
        Golden Soft gel
        from 19,80 €
        acrylic polymer binding agent, water-based, viscous, milky white in liquid form, transparent or, alternatively, translucent colourless when dry, miscible with acrylic paints, other gels, pastes and painting mediums,...
      • Schmincke College Modelling Paste
         
        Schmincke College Modelling Paste
        from 8,60 €
        paste for modeling relief types of textures and structures in acrylic paintings (on rigid substrates), made of copolymer dispersion, additives and water; pH is 8-10, white, opaque, very pasty consistency, no hazardous...
      • Up to-20%
        Pebeo auxiliary for Studio Acrylics
        2 Variants
        Pebeo auxiliary for Studio Acrylics
        from 9,28 €
        various auxiliaries for use with Studio quality acrylic paints: includes primer, medium creating structure and texture, medium for increasing glossiness, etc.
      • Golden Acrylic Glazing Liquid
        2 Variants
        Golden Acrylic Glazing Liquid
        from 13,90 €
        pure acrylic polymer emulsion, water-based, milky white, transparent colourless when dry
      • Lascaux Retarder
        3 Variants
        Lascaux Retarder
        from 9,70 €
        retards the drying time of acrylic paint, acrylic polymer in water/propranediol mixture, colourless transparent, pasty consistency, thinnable with water (up to 1:10), additive amount for acrylic paint: 10-30%,...
      • Pentacolor silicone oil
         
        Pentacolor silicone oil
        from 5,90 €
        Content: silicone oil
      • Up to-20%
        Schmincke varnish for acrylics
         
        Schmincke varnish for acrylics
        from 12,24 €
        protection against yellowing of acrylic paints, made of white spirit, cyclohexanone resin and acrylic resin, liquid, colourless transparent
      • Up to-20%
        Royal Talens Amsterdam modeling paste
         
        Royal Talens Amsterdam modeling paste
        from 10,48 €
        auxiliary for creating textures with acrylic paints, white pigments (titanium oxide) in acrylic resin dispersion, thickener, thinnable with water, waterproof when dry, non-yellowing, can be painted over with oil or...
      • Golden gloss medium
        2 Variants
        Golden gloss medium
        from 19,80 €
        Volume: 473 ml / 237 ml, Packaging: Plastic can, Properties: glossy, oily
      • Liquitex Fabric medium
         
        Liquitex Fabric medium
        from 11,20 €
        Material: liquid acrylic medium, transparent, semi-gloss, Properties: improves the processability of acrylic paint on fabric, increases adhesion, controls color gradients, fabric remains flexible a ...
      • Up to-20%
        Royal Talens Amsterdam extra heavy gel medium
        2 Variants
        Royal Talens Amsterdam extra heavy gel medium
        from 10,48 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
      • Golden gesso
        2 Variants
        Golden gesso
        from 17,90 €
        primer coat for acrylic and oil paints, pigments in acrylic copolymer, water-based, liquid consistency, high coverage (opaque), matte and flexible when dry, can be thinned with water, highly lightfast (non-fading),...
      • Schmincke Pouring Medium
        2 Variants
        Schmincke Pouring Medium
        from 17,20 €
        Material: polyurethane and acrylate dispersion, Content: 500 ml or 1000 ml, Properties: good flow properties; water-resistant & transparent drying; non-yellowing; depending on the mixing ratio, glossy to semi-gloss; ...
      • Schmincke acrylic crackling paste
        2 Variants
        Schmincke acrylic crackling paste
        from 7,80 €
        Ingredients: pure acrylic dispersion, fillers, additives, water, Capacity: 60 ml / 300 ml, Properties: pasty, lightening effect
      • Golden Heavy gel
        3 Variants
        Golden Heavy gel
        from 19,80 €
        acrylic polymer binding agent, water-based, very pasty consistency, white when wet, translucent colourless when dry, mixable with acrylic paints, other gels and painting mediums; waterproof, flexible, lightfast,...
      • Royal Talens Amsterdam acrylic medium
        2 Variants
        Royal Talens Amsterdam acrylic medium
        from 7,50 €
        thinner for acrylic paints that still preserves the durability of the paint coat, acrylic resin dispersion (the matte version contains the matting agent silicate), water-based, milky white when liquid, colourless...
      • Schmincke College matt gel
         
        Schmincke College matt gel
        from 8,60 €
        auxiliary that gives matte finish to acrylic paintings, made of copolymer dispersion, matte finishing agent, additives and water, Density: 1,1-1,2 g/ml, pH is 8-10, semi-transparent colourless, matte finish when dry,...
      • Golden Molding paste
         
        Golden Molding paste
        from 17,90 €
        acrylic polymer binding agent with marble dust, water-based, very pasty consistency, white-grey and semi-glossy when dry, flexible, can be sanded, miscible with acrylic paints, other pastes, gels and painting mediums,...
      • Schmincke  Acrylic Super Retarder
         
        Schmincke Acrylic Super Retarder
        from 7,80 €
        Capacity: 60 ml, Properties: gel-like
      • Schmincke Aero Color Liner empty marker
        11 Variants
        Schmincke Aero Color Liner empty marker
        from 2,40 €
        empty pen, 6 different line widths, can be filled with Schmincke Aero Professional
      • Royal Talens Amsterdam acrylic thickener
         
        Royal Talens Amsterdam acrylic thickener
        from 10,90 €
        additive for increasing the viscosity of acrylic paints, acrylate thickener in water, milky white when in liquid form, colourless transparent and waterproof when dry, should be added in small quantities, working...
      Information about Auxiliaries for Acrylic Painting

      Golden Auxiliaries for Acrylic Painting

      The Golden auxiliaries for acrylic painting include primers (grounds) for preparing painting surfaces as well as painting agents and additives with which the processing characteristics as well as the transparency, glossiness and viscosity of acrylic paints can be altered.

      A third, very large group is comprised of the gels and textural (form) pastes whose general attributes and differences are the subject of these introductory remarks.

      Gels and textural pastes primarily serve as a way to build structures and textures in the acrylic painting process while at the same time altering the level of glossiness and transparency of the acrylic paints themselves. The range of different consistencies runs from liquid and pourable (e,g. GOLDEN SELF LEVELING CLEAR GEL) to very pasty and mouldable (e.g. GOLDEN LIGHT MOLDING PASTE), while the level of glossiness that is customizable runs from high gloss to deep matte. The difference between gels and textural pastes lies in their transparency or, from the other perspective, their opacity. Both are white in colour when liquid; gels, however, become transparent colourless or, alternatively, translucent colourless when dry while textural pastes, on the other hand, are white opaque when dry because they contain additives like, for example, marble dust. When mixed with acrylic paint, textural (form) pastes increase the paint´s opacity but nonetheless make it more “pastel-like” -  much like the addition of white acrylic paints does.

      A gel is basically an acrylic paint without the pigments – in other words it functions like a binding agent. This makes gels perfect for extending (thinning) paints for cost-saving or artistic purposes. If a large amount of gel is added to a paint it will increase its transparency while still allowing it to keep its good paint application properties. The glossy, semi-matte or matte gel versions can be selected based on the desired glossiness for your acrylic paint.

      Another use of gels and pastes is the alteration of an acrylic paint´s consistency. GOLDEN HEAVY BODY ACRYLICS, for example, can be made more fluid by adding CLEAR TAR GEL, while with EXTRA HEAVY GEL it can be made more pasty in order to use it for the impasto painting technique. Structural elements can of course be built up with pure gels or pastes whereby they can subsequently be painted over with acrylic colours. This method produces the most pronounced structure.

      Because most of the gels are indeed pure binding agents they can be used in conjunction with dry pigments to make your own acrylic paints! For this project the glossy gel versions have the best binding properties and change the luminosity of your pigments the least.

      Gels and pastes are also great for gluing collages because of their adhesive properties.

      The Golden gels and pastes have the same degree of waterproofness, age resistance, lightfastness as well as archival quality as the acrylic paints.

      Processing: Gels and pastes can be used as grounds (primers), can be applied over acrylic paints or can be mixed with them. Most of the gels and pastes are intermixable and can also be mixed with other mediums and additives. They can be applied to practically all grease-free surfaces; non-absorbent substrates must be sanded prior to application. The minimum working temperature is +9 °C. All mixing work should be done with a great degree of finesse because strong stirring or (God forbid) shaking will cause unwanted foam to develop. Drying times are dependent on environmental factors like temperature, humidity and ventilation and can be as long as months in the case of thick applications. The milky film of the binding agent only disappears after curing has completely finished. Any tools used can be cleaned with water and soap.

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