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      4. Auxiliaries for Acrylic Painting

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      64 article   /   178 Variants
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      • Lascaux UV Protect varnish
        3 Variants
        Lascaux UV Protect varnish
        from 25,80 €
        pure acrylic polymer with UV absorber, odour-free solvent, propellant gas without CFC, transparent colourless, archival quality (resoluble), abrasion resistant, waterproof, lightfast, age resistant, non-yellowing, can...
      • Lascaux acrylic varnish UV
        9 Variants
        Lascaux acrylic varnish UV
        from 10,00 €
        pure acrylic dispersion with UV absorber, can be thinned with water, abrasion-proof, waterproof, weather-resistant, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per...
      • Lascaux acrylic transparent varnish
        9 Variants
        Lascaux acrylic transparent varnish
        from 8,85 €
        pure acrylic dispersion, can be thinned with water, abrasion-proof, waterproof, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per coat, shelf life after opening is 4...
      • Lascaux Retarder
        4 Variants
        Lascaux Retarder
        from 9,70 €
        retards the drying time of acrylic paint, acrylic polymer in water/propranediol mixture, colourless transparent, pasty consistency, thinnable with water (up to 1:10), additive amount for acrylic paint: 10-30%,...
      • Lascaux screenprinting paste
        3 Variants
        Lascaux screenprinting paste
        from 20,40 €
        highly viscous, colourless paste, an admixture of water and propandiol with acrylic copolymer, no hazard label required as per GefStoffV (Dangerous Substances Directive)
      • Caparol acrylic binder, semi-gloss
         
        Caparol acrylic binder, semi-gloss
        from 24,50 €
        medium for acrylic pigments, semi-gloss when dry
      • Modulor Acrylic binder D 498, semi-glossy
        2 Variants
        Modulor Acrylic binder D 498, semi-glossy
        from 12,90 €
        medium for acrylic pigments, semi-gloss when dry
      • Schmincke heavy body gel for acrylics
         
        Schmincke heavy body gel for acrylics
        from 6,60 €
        modeling gel for acrylic painting, made of pure acrylate, additives and water, pH is 8-10, pasty consistency, colourless transparent, glossy, no hazardous label required by the German Hazardous Substance Ordinance
      • Pebeo auxiliaries for Studio Acrylics
        24 Variants
        Pebeo auxiliaries for Studio Acrylics
        from 4,30 €
        various auxiliaries for use with Studio quality acrylic paints: includes primer, medium creating structure and texture, medium for increasing glossiness, etc.
      • Schmincke golden flakes-gel for acrylics
         
        Schmincke golden flakes-gel for acrylics
        from 6,80 €
        sculpturing metallic effect gel for acrylic painting, made of pure acrylate, pigments, additives and water; pH is 8-10, gold-coloured, pasty consistency, metallic/crystaline when dry, no hazardous label required by...
      • Royal Talens Amsterdam heavy gel medium
        2 Variants
        Royal Talens Amsterdam heavy gel medium
        from 10,30 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, very pasty...
      • Royal Talens Amsterdam varnish
        4 Variants
        Royal Talens Amsterdam varnish
        from 6,00 €
        final varnish for acrylic and oil paints, acrylic resin-based, white spirit, turpentine oil, transparent colourless, non-yellowing, can be thinned and removed with white spirit, hazard warning: Xi = irritant, F+ =...
      • Golden Regular gel
        3 Variants
        Golden Regular gel
        from 14,60 €
        acrylic polymer binding agent, water-based, pasty consistency, white when liquid, transparent or, alternatively, translucent colourless when dry, can be mixed with acrylic paints, other gels, pastes and painting...
      • Modulor light moulding paste
         
        Modulor light moulding paste
        from 15,75 €
        contains no granulates, firm-crumbly putty with a low-density filler, can be thinned with water and mixed with pigments, fast-drying (depending on the thickness of the application, from between 2 and 12 hours),...
      • Lascaux gel Impasto
        6 Variants
        Lascaux gel Impasto
        from 8,85 €
        aid for obtaining texture in all Lascaux acrylic paints, pure acrylic dispersion, transparent or semi-transparent , colourless, pasty consistency , can be thinned with water, gel 1 and gel 2 intermixable, ductile and...
      • Lascaux Structura modelling paste
        3 Variants
        Lascaux Structura modelling paste
        from 15,95 €
        light texture paste for acrylic paints, pure acrylic dispersion with modified quartz fillers, fine grained, can be thinned with water, satin-matte and elastic-hard when dry, absorbent, can be sanded, age-resistant,...
      • Golden Polymer varnish
        3 Variants
        Golden Polymer varnish
        from 15,70 €
        varnish for acrylic paints, styrene acrylic copolymer solution with UV light stabilizer, water-based, transparent or, alternatively, translucent colourless, can be thinned with distilled water, abrasion-resistant,...
      • Royal Talens Amsterdam acrylic medium
        2 Variants
        Royal Talens Amsterdam acrylic medium
        from 6,10 €
        thinner for acrylic paints that still preserves the durability of the paint coat, acrylic resin dispersion (the matte version contains the matting agent silicate), water-based, milky white when liquid, colourless...
      • Golden GAC 900 fabric painting medium
         
        Golden GAC 900 fabric painting medium
        from 14,60 €
        acrylic polymer binding agent, water-based, liquid consistency, milky-white in liquid condition, hazard warning: Xn = hazardous to health
      • Golden Pumice gel
        3 Variants
        Golden Pumice gel
        from 13,80 €
        acrylic polymer binding agent with pumice added, water-based, pasty consistency, light grey and opaque, matte and rough when dry, absorbent, hard, miscible with acrylic paints and other gels and pastes and painting...
      • Schmincke black flakes-gel for acrylics
         
        Schmincke black flakes-gel for acrylics
        from 6,30 €
        gel for creating modeling effects in acrylic painting work, made of pure acrylate, natural graphite, additives and water; pH is 8-10, graphite colour, pasty consistency, metallic look with coarse crystalline finish...
      • Pebeo auxiliary for Artist Acrylics
        21 Variants
        Pebeo auxiliary for Artist Acrylics
        from 6,70 €
        various artist quality auxiliaries for acrylic paints for priming, creating textures, increasing glossiness, etc.
      • Golden Acrylic Glazing Liquid
        2 Variants
        Golden Acrylic Glazing Liquid
        from 10,50 €
        pure acrylic polymer emulsion, water-based, milky white, transparent colourless when dry
      • Royal Talens Amsterdam extra heavy gel medium
        2 Variants
        Royal Talens Amsterdam extra heavy gel medium
        from 10,30 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
      • Acrylic Molding Paste
        6 Variants
        Acrylic Molding Paste
        from 11,60 €
        paste for modeling of relief-like structures in acrylic painting techniques, acrylic resin based, natural white and opaque, matte, waterproof when dry, can be painted over and dyed, can be sanded, physiologically and...
      • Schmincke varnish for acrylics
         
        Schmincke varnish for acrylics
        from 14,30 €
        protection against yellowing of acrylic paints, made of white spirit, cyclohexanone resin and acrylic resin, liquid, colourless transparent, hazard warning: Xn hazardous to health, N environmental hazard, flammable...
      • Schmincke thickener for acrylics
         
        Schmincke thickener for acrylics
        from 6,00 €
        auxiliary for thickening acrylic paints, made of water and additives, pH is 8-10, transparent, pasty consistency, no hazardous label required by the German Hazardous Substance Ordinance
      • Lascaux Thickener
        2 Variants
        Lascaux Thickener
        from 8,85 €
        auxiliary for increasing the viscosity of acrylic paints; acrylic polymer in water, transparent colourless, pasty consistency, thinnable with water (up to 1:10), no binding agent, additive amount to acrylic paint: up...
      • Royal Talens Amsterdam retarder
         
        Royal Talens Amsterdam retarder
        from 6,20 €
        delays the drying time of acrylic paints, slowly evaporating polyhydric alcohol, transparent colourless, can be thinned with water, maximum additive amount to acrylic paint is 5%
      • Golden Light Molding paste
         
        Golden Light Molding paste
        from 13,70 €
        acrylic polymer binding agent with lightweight filler, water-based, extra pasty consistency, white and opaque; semi-matte when dry, absorbent, flexible, can be sanded; miscible with acrylic paints, other pastes, gels...
      • Golden Extra Heavy gel
        3 Variants
        Golden Extra Heavy gel
        from 14,60 €
        acrylic polymer binding agent, water-based, extra pasty consistency, white when liquid; translucent colourless when dry, miscible with acrylic paints, other gels and pastes and painting mediums
      • Golden Absorbent Ground
         
        Golden Absorbent Ground
        from 15,50 €
        acrylic primer for glazing techniques on canvas, water-based, liquid, white, can be thinned with water, has rough paper-like surface when dry; also waterproof, flexible, lightfast (non-fading), age resistant when dry
      • Golden medium set
         
        Golden medium set
        from 27,50 €
        six different acrylic pastes and gels for creating structures, textures, and grounds (primers); contents: Fine Pumice gel, Crackle paste, Acrylic Ground (primer) for pastels, Fiber paste, Coarse Molding paste,...
      • Schmincke fibre gel for acrylics
         
        Schmincke fibre gel for acrylics
        from 6,40 €
        modelling effect gel for acrylic painting, made with pure acrylate, pigments, additives and water; pH is 8-10, transparent colourless, pasty consistency, white when dry, no hazardous label required by the German...
      • Schmincke College Modelling Paste
         
        Schmincke College Modelling Paste
        from 7,90 €
        paste for modeling relief types of textures and structures in acrylic paintings (on rigid substrates), made of copolymer dispersion, additives and water; pH is 8-10, white, opaque, very pasty consistency, no hazardous...
      • Golden Glass Bead gel
         
        Golden Glass Bead gel
        from 15,20 €
        acrylic polymer binding agent with glass beads added, water-based, pasty consistency, translucent colourless, glossy when dry, hard, miscible with acrylic paints and other gels and pastes and painting mediums,...
      Information about Auxiliaries for Acrylic Painting

      Golden Auxiliaries for Acrylic Painting

      The Golden auxiliaries for acrylic painting include primers (grounds) for preparing painting surfaces as well as painting agents and additives with which the processing characteristics as well as the transparency, glossiness and viscosity of acrylic paints can be altered.

      A third, very large group is comprised of the gels and textural (form) pastes whose general attributes and differences are the subject of these introductory remarks.

      Gels and textural pastes primarily serve as a way to build structures and textures in the acrylic painting process while at the same time altering the level of glossiness and transparency of the acrylic paints themselves. The range of different consistencies runs from liquid and pourable (e,g. GOLDEN SELF LEVELING CLEAR GEL) to very pasty and mouldable (e.g. GOLDEN LIGHT MOLDING PASTE), while the level of glossiness that is customizable runs from high gloss to deep matte. The difference between gels and textural pastes lies in their transparency or, from the other perspective, their opacity. Both are white in colour when liquid; gels, however, become transparent colourless or, alternatively, translucent colourless when dry while textural pastes, on the other hand, are white opaque when dry because they contain additives like, for example, marble dust. When mixed with acrylic paint, textural (form) pastes increase the paint´s opacity but nonetheless make it more “pastel-like” -  much like the addition of white acrylic paints does.

      A gel is basically an acrylic paint without the pigments – in other words it functions like a binding agent. This makes gels perfect for extending (thinning) paints for cost-saving or artistic purposes. If a large amount of gel is added to a paint it will increase its transparency while still allowing it to keep its good paint application properties. The glossy, semi-matte or matte gel versions can be selected based on the desired glossiness for your acrylic paint.

      Another use of gels and pastes is the alteration of an acrylic paint´s consistency. GOLDEN HEAVY BODY ACRYLICS, for example, can be made more fluid by adding CLEAR TAR GEL, while with EXTRA HEAVY GEL it can be made more pasty in order to use it for the impasto painting technique. Structural elements can of course be built up with pure gels or pastes whereby they can subsequently be painted over with acrylic colours. This method produces the most pronounced structure.

      Because most of the gels are indeed pure binding agents they can be used in conjunction with dry pigments to make your own acrylic paints! For this project the glossy gel versions have the best binding properties and change the luminosity of your pigments the least.

      Gels and pastes are also great for gluing collages because of their adhesive properties.

      The Golden gels and pastes have the same degree of waterproofness, age resistance, lightfastness as well as archival quality as the acrylic paints.

      Processing: Gels and pastes can be used as grounds (primers), can be applied over acrylic paints or can be mixed with them. Most of the gels and pastes are intermixable and can also be mixed with other mediums and additives. They can be applied to practically all grease-free surfaces; non-absorbent substrates must be sanded prior to application. The minimum working temperature is +9 °C. All mixing work should be done with a great degree of finesse because strong stirring or (God forbid) shaking will cause unwanted foam to develop. Drying times are dependent on environmental factors like temperature, humidity and ventilation and can be as long as months in the case of thick applications. The milky film of the binding agent only disappears after curing has completely finished. Any tools used can be cleaned with water and soap.

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