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      Auxiliaries for Acrylic Painting

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      68 article(s)   /   148 Variants
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      • New
        Schmincke Aero opaque medium
         
        Schmincke Aero opaque medium
        from 6,90 €
        for lengthening the drying time of Schmincke Aero Color Professional, contains liquid binder-free dispersion
      • New
        Schmincke Aero Lack lacquer finish
         
        Schmincke Aero Lack lacquer finish
        from 12,90 €
        thinnable with water, glossy and elastic when dry, can be used as lustre sealer and leather primer, contains polyurethane dispersion
      • New
        Schmincke Aero Tex paint medium for fabrics
         
        Schmincke Aero Tex paint medium for fabrics
        from 7,40 €
        for producing a textile airbrush paint, contains polyurethane dispersion
      • New
        Schmincke Aero Grund primer
         
        Schmincke Aero Grund primer
        from 13,70 €
        for priming surfaces before applying Schmincke Aero Color Professional, contains pure acrylic dispersion, transparent when dry
      • New
        Schmincke Aero Clean Rapid cleaner
         
        Schmincke Aero Clean Rapid cleaner
        from 8,50 €
        cleans out spray guns and other tools, watery consistency, fast-spreading, quick-working, contains tenside, additive, water
      • New
        Schmincke Aero Color Liner empty marker
        11 Variants
        Schmincke Aero Color Liner empty marker
        from 2,30 €
        empty pen, 6 different line widths, can be filled with Schmincke Aero Professional
      • New
        Schmincke Aero Retarder
         
        Schmincke Aero Retarder
        from 6,90 €
        for lengthening the drying time of Schmincke Aero Color Professiona, contains alcohol, additive, water
      • New
        Schmincke Aero Medium thinner
         
        Schmincke Aero Medium thinner
        from 12,90 €
        for thinning Schminke Aero Color Professional, improves adherence abilities, makes the paint more smudge-proof and waterproof, contains pure acrylic dispersion
      • Lascaux acrylic varnish UV
        9 Variants
        Lascaux acrylic varnish UV
        from 10,00 €
        pure acrylic dispersion with UV absorber, can be thinned with water, abrasion-proof, waterproof, weather-resistant, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per...
      • Lascaux UV Protect varnish
        3 Variants
        Lascaux UV Protect varnish
        from 25,80 €
        pure acrylic polymer with UV absorber, odour-free solvent, propellant gas without CFC, transparent colourless, archival quality (resoluble), abrasion resistant, waterproof, lightfast, age resistant, non-yellowing, can...
      • Lascaux screenprinting paste
        3 Variants
        Lascaux screenprinting paste
        from 20,40 €
        highly viscous, colourless paste, an admixture of water and propandiol with acrylic copolymer, no hazard label required as per GefStoffV (Dangerous Substances Directive)
      • Modulor Acrylic binder D 498, semi-glossy
        2 Variants
        Modulor Acrylic binder D 498, semi-glossy
        from 12,90 €
        medium for acrylic pigments, semi-gloss when dry
      • Lascaux Structura modelling paste
        3 Variants
        Lascaux Structura modelling paste
        from 15,95 €
        light texture paste for acrylic paints, pure acrylic dispersion with modified quartz fillers, fine grained, can be thinned with water, satin-matte and elastic-hard when dry, absorbent, can be sanded, age-resistant,...
      • Daler-Rowney Shimmering Colours interference medium
        5 Variants
        Daler-Rowney Shimmering Colours interference medium
        from 6,50 €
        water-based, high viscosity, elastic-hard and waterproof when dry, colours are intermixable and can be mixed with acrylic paint
      • Lascaux acrylic transparent varnish
        9 Variants
        Lascaux acrylic transparent varnish
        from 8,85 €
        pure acrylic dispersion, can be thinned with water, abrasion-proof, waterproof, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per coat, shelf life after opening is 4...
      • Modulor light moulding paste
         
        Modulor light moulding paste
        from 15,75 €
        contains no granulates, firm-crumbly putty with a low-density filler, can be thinned with water and mixed with pigments, fast-drying (depending on the thickness of the application, from between 2 and 12 hours),...
      • Royal Talens Amsterdam heavy gel medium
        2 Variants
        Royal Talens Amsterdam heavy gel medium
        from 10,50 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, very pasty...
      • Acrylic Molding Paste
        6 Variants
        Acrylic Molding Paste
        from 11,80 €
        paste for modeling of relief-like structures in acrylic painting techniques, acrylic resin based, natural white and opaque, matte, waterproof when dry, can be painted over and dyed, can be sanded, physiologically and...
      • Golden Hard Molding paste
         
        Golden Hard Molding paste
        from 13,90 €
        acrylic polymer binding agent with fillers, water-based, very pasty consistency; white-grey, opaque, semi-gloss finish when dry; extremely hard, flexible, can be sanded and carved, miscible with acrylic paints, other...
      • Schmincke College Retarder
         
        Schmincke College Retarder
        from 7,90 €
        auxiliary for delaying drying times for acrylic painting, made of additives and water, pH is 8-10, transparent, pasty consistency, use only after thinning with water, no hazardous label required by the German...
      • Golden GAC 200 Acrylic Polymer
         
        Golden GAC 200 Acrylic Polymer
        from 13,90 €
        acrylic polymer binding agent, water-based, liquid consistency, milky-white in liquid condition; transparent and high gloss when dry, hard, used only when mixed with acrylic paints, waterproof
      • Lascaux gel Impasto
        6 Variants
        Lascaux gel Impasto
        from 8,85 €
        aid for obtaining texture in all Lascaux acrylic paints, pure acrylic dispersion, transparent or semi-transparent , colourless, pasty consistency , can be thinned with water, gel 1 and gel 2 intermixable, ductile and...
      • Golden Pumice gel
        3 Variants
        Golden Pumice gel
        from 13,90 €
        acrylic polymer binding agent with pumice added, water-based, pasty consistency, light grey and opaque, matte and rough when dry, absorbent, hard, miscible with acrylic paints and other gels and pastes and painting...
      • Golden Retarder
         
        Golden Retarder
        from 9,70 €
        agent for lengthening the open (drying) time of acrylic paints, amount of additive to the paint should not exceed 30%
      • Golden Acrylic Glazing Liquid
        2 Variants
        Golden Acrylic Glazing Liquid
        from 10,70 €
        pure acrylic polymer emulsion, water-based, milky white, transparent colourless when dry
      • Golden Iridescent gel
        6 Variants
        Golden Iridescent gel
        from 16,10 €
        metal pigments or mineral glitter in acrylic polymer binding agent, water-based, pasty consistency; mixable with acrylic paints, other gels, pastes and painting media, waterproof, lightfast, age-resistant
      • Royal Talens Amsterdam varnish
        6 Variants
        Royal Talens Amsterdam varnish
        from 6,50 €
        final varnish for acrylic and oil paints, acrylic resin-based, white spirit, turpentine oil, transparent colourless, non-yellowing, can be thinned and removed with white spirit
      • Pebeo auxiliary for Studio Acrylics
        3 Variants
        Pebeo auxiliary for Studio Acrylics
        from 9,00 €
        various auxiliaries for use with Studio quality acrylic paints: includes primer, medium creating structure and texture, medium for increasing glossiness, etc.
      • Golden Molding paste
         
        Golden Molding paste
        from 13,90 €
        acrylic polymer binding agent with marble dust, water-based, very pasty consistency, white-grey and semi-glossy when dry, flexible, can be sanded, miscible with acrylic paints, other pastes, gels and painting mediums,...
      • Royal Talens Amsterdam acrylic medium
        2 Variants
        Royal Talens Amsterdam acrylic medium
        from 6,30 €
        thinner for acrylic paints that still preserves the durability of the paint coat, acrylic resin dispersion (the matte version contains the matting agent silicate), water-based, milky white when liquid, colourless...
      • Royal Talens Amsterdam gel medium
        2 Variants
        Royal Talens Amsterdam gel medium
        from 10,50 €
        auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
      • Golden Self Leveling clear gel
         
        Golden Self Leveling clear gel
        from 14,80 €
        acrylic polymer binding agent, water-based, slow-flowing, pourable, milky white when liquid (wet), transparent colourless and high gloss when dry; mixable with acrylic paints, other gels and painting mediums;...
      • Golden Clear Granular gel
         
        Golden Clear Granular gel
        from 15,70 €
        acrylic polymer binding agent with acrylic granules added, water-based, pasty consistency, translucent colourless, glossy and rough when dry. absorbent, hard, miscible with acrylic paints and other gels and pastes and...
      • Royal Talens Amsterdam acrylic remover
         
        Royal Talens Amsterdam acrylic remover
        from 6,30 €
        natural solvent (ethyl lactate), liquid, mild odour, completely biodegradable
      • Golden Crackle paste
         
        Golden Crackle paste
        from 14,80 €
        styrene acrylic copolymer binding agent, water-based, extra pasty consistency, white-grey and opaque, when dry it has a matte, fissured surface, absorbent, hard, porous, high degree of shrinkage, mixable with acrylic...
      • Schmincke heavy body gel for acrylics
         
        Schmincke heavy body gel for acrylics
        from 6,70 €
        modeling gel for acrylic painting, made of pure acrylate, additives and water, pH is 8-10, pasty consistency, colourless transparent, glossy, no hazardous label required by the German Hazardous Substance Ordinance
      Information about Auxiliaries for Acrylic Painting

      Golden Auxiliaries for Acrylic Painting

      The Golden auxiliaries for acrylic painting include primers (grounds) for preparing painting surfaces as well as painting agents and additives with which the processing characteristics as well as the transparency, glossiness and viscosity of acrylic paints can be altered.

      A third, very large group is comprised of the gels and textural (form) pastes whose general attributes and differences are the subject of these introductory remarks.

      Gels and textural pastes primarily serve as a way to build structures and textures in the acrylic painting process while at the same time altering the level of glossiness and transparency of the acrylic paints themselves. The range of different consistencies runs from liquid and pourable (e,g. GOLDEN SELF LEVELING CLEAR GEL) to very pasty and mouldable (e.g. GOLDEN LIGHT MOLDING PASTE), while the level of glossiness that is customizable runs from high gloss to deep matte. The difference between gels and textural pastes lies in their transparency or, from the other perspective, their opacity. Both are white in colour when liquid; gels, however, become transparent colourless or, alternatively, translucent colourless when dry while textural pastes, on the other hand, are white opaque when dry because they contain additives like, for example, marble dust. When mixed with acrylic paint, textural (form) pastes increase the paint´s opacity but nonetheless make it more “pastel-like” -  much like the addition of white acrylic paints does.

      A gel is basically an acrylic paint without the pigments – in other words it functions like a binding agent. This makes gels perfect for extending (thinning) paints for cost-saving or artistic purposes. If a large amount of gel is added to a paint it will increase its transparency while still allowing it to keep its good paint application properties. The glossy, semi-matte or matte gel versions can be selected based on the desired glossiness for your acrylic paint.

      Another use of gels and pastes is the alteration of an acrylic paint´s consistency. GOLDEN HEAVY BODY ACRYLICS, for example, can be made more fluid by adding CLEAR TAR GEL, while with EXTRA HEAVY GEL it can be made more pasty in order to use it for the impasto painting technique. Structural elements can of course be built up with pure gels or pastes whereby they can subsequently be painted over with acrylic colours. This method produces the most pronounced structure.

      Because most of the gels are indeed pure binding agents they can be used in conjunction with dry pigments to make your own acrylic paints! For this project the glossy gel versions have the best binding properties and change the luminosity of your pigments the least.

      Gels and pastes are also great for gluing collages because of their adhesive properties.

      The Golden gels and pastes have the same degree of waterproofness, age resistance, lightfastness as well as archival quality as the acrylic paints.

      Processing: Gels and pastes can be used as grounds (primers), can be applied over acrylic paints or can be mixed with them. Most of the gels and pastes are intermixable and can also be mixed with other mediums and additives. They can be applied to practically all grease-free surfaces; non-absorbent substrates must be sanded prior to application. The minimum working temperature is +9 °C. All mixing work should be done with a great degree of finesse because strong stirring or (God forbid) shaking will cause unwanted foam to develop. Drying times are dependent on environmental factors like temperature, humidity and ventilation and can be as long as months in the case of thick applications. The milky film of the binding agent only disappears after curing has completely finished. Any tools used can be cleaned with water and soap.

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