Artist Papers

handmade paper made from 100% cotton fibres, 4 original deckle edges, surface is sized, acid-free (pH = 7.0)

handmade paper made from 100% cotton fibres, 4 original deckle edges, surface is sized, acid-free (pH = 7.0)

handmade Japanese paper, lightly rough surface, lightly cloudy appearance, acid-free, very absorbent, sheets bonded together at the top of the pad, paperboard cover, rear cover is cardboard

natural white recycled drawing and colouring paper, rough, acid-free, good college quality, bonded on both sides, printed cardboard cover, cardboard underside

handmade paper made from 100% cotton fibres, 4 original deckle edges, surface is sized, acid-free (pH = 7.0)

natural white artist´s board, satin-finished (smooth), matte (slight grain texture) or rough (course grain texture), acid-free, lightfast (non-fade), batch sized (internal), highly resistant to aging, gummed on all...

natural white mould-made paperboard, matte (lightly grained texture) or rough (course grained texture), acid-free, lightfast (non-fade), aging-resistant, gummed on all sides with a gauze strip, cover is printed...

perforated white rag board with medium grain for watercolours, approx. 200 g/m², thread stitch binding, rigid cardboard cover covered in black Moleskine paper, flat black rubber cord fastener, with cardboard pocket

natural white artist’s board, rough, acid-free, lightfast, extremely age resistant, good for student use, back side with pre-printed form (sender and recipient fields), adhesive binding at the top, cover made of...

white artist paper, torchon (rough) surface texture, acid-free, lightfast, extremely age resistant, good for student use, adhesive binding all 4 sides, cover is printed paperboard, back cover is cardboard

natural white, matte (slight grain), contains cotton rag, 4 real handmade deckel edges, neutral sizing, acid-free, alkaline buffered, maximum aging resistance, no optical brightener

natural white, matte (lightly grained) or rough (course grain), 4 deckle edges, neutral sizing, acid-free, alkaline buffered, extremely lightfast, highest degree of aging resistance, with watermark

natural white, satin-finished (smooth), matte (lightly grained) or rough (course grain), neutral sizing, acid-free, lightfast, highest degree of aging resistance

white artist´s board, 100% woodpulp (intreated, buffered, acid-free), batch (internal) and surface sized, medium hard surface (cold pressed), fine grain texture, cover is printed paperboard, rear cover is cardboard

bright white, rough surface, erasable, neutral sizing, alkaline buffered, highest degree of aging resistance

extra thick white drawing paper, embossed, irregular cloth texture, matte, acid-free, glued at the top, cover is printed paperboard, rear cover is cardboard

cream white watercolour board (Fabriano mould-made paper that is 35% cotton rag), rough, acid-free, aging-resistant (ISO 9706), chlorine-free bleached, thread binding, cover is sturdy cardboard laminated with cloth

natural white, 100% cotton rag, four real deckle edges, neutral sizing, acid-free (pH is ca. 8.0), extremely lightfast, alkaline buffered, highest degree of aging resistance, with watermark “Saunders Waterford”...

white artist paper, fine-rough, acid-free, lightfast, extremely age resistant, good for student use, adhesive binding all 4 sides, cover is printed paperboard, back cover is cardboard

bright white, raw “torchon” (extra rough) texture, natural sizing, acid-free, lightfast, highest degree of aging resistance

natural white, front side is rough (course grained), back side is matte (lightly grained), neutral sizing, acid-free, lightfast, highest degree of aging resistance

extra thick white drawing paper, embossed, irregular cloth texture, matte, acid-free, glued at the top, cover is printed paperboard, rear cover is cardboard

coloured authentic hand-made paper (called Ingres after famous French artist), 3 sheets each of white and ivory and 2 sheets each of antique, butter, yellow, grey-green, rose, light grey, grey), finely ribbed, matte,...