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64 article   /   165 Variants
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  • Pasta de serigrafía Lascaux
    3 Variants
    Pasta de serigrafía Lascaux
    from 20,40 €
    highly viscous, colourless paste, an admixture of water and propandiol with acrylic copolymer, no hazard label required as per GefStoffV (Dangerous Substances Directive)
  • Set de mediums Golden
     
    Set de mediums Golden
    from 27,50 €
    six different acrylic pastes and gels for creating structures, textures, and grounds (primers); contents: Fine Pumice gel, Crackle paste, Acrylic Ground (primer) for pastels, Fiber paste, Coarse Molding paste,...
  • Barniz de conservación Lascaux UV Protect
    3 Variants
    Barniz de conservación Lascaux UV Protect
    from 25,80 €
    pure acrylic polymer with UV absorber, odour-free solvent, propellant gas without CFC, transparent colourless, archival quality (resoluble), abrasion resistant, waterproof, lightfast, age resistant, non-yellowing, can...
  • Pasta de estructura ligera Modulor
     
    Pasta de estructura ligera Modulor
    from 15,75 €
    contains no granulates, firm-crumbly putty with a low-density filler, can be thinned with water and mixed with pigments, fast-drying (depending on the thickness of the application, from between 2 and 12 hours),...
  • Aglutinante acrílico Caparol, mate-seda
     
    Aglutinante acrílico Caparol, mate-seda
    from 24,50 €
    medium for acrylic pigments, semi-gloss when dry
  • Impasto Gel Lascaux
    6 Variants
    Impasto Gel Lascaux
    from 8,85 €
    aid for obtaining texture in all Lascaux acrylic paints, pure acrylic dispersion, transparent or semi-transparent , colourless, pasty consistency , can be thinned with water, gel 1 and gel 2 intermixable, ductile and...
  • Barniz acrílico transparente Lascaux
    9 Variants
    Barniz acrílico transparente Lascaux
    from 8,85 €
    pure acrylic dispersion, can be thinned with water, abrasion-proof, waterproof, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per coat, shelf life after opening is 4...
  • Barniz polimérico Golden
    3 Variants
    Barniz polimérico Golden
    from 16,30 €
    varnish for acrylic paints, styrene acrylic copolymer solution with UV light stabilizer, water-based, transparent or, alternatively, translucent colourless, can be thinned with distilled water, abrasion-resistant,...
  • Pasta para craquelado Golden
     
    Pasta para craquelado Golden
    from 14,60 €
    styrene acrylic copolymer binding agent, water-based, extra pasty consistency, white-grey and opaque, when dry it has a matte, fissured surface, absorbent, hard, porous, high degree of shrinkage, mixable with acrylic...
  • Gel Royal Talens Amsterdam Heavy
    2 Variants
    Gel Royal Talens Amsterdam Heavy
    from 10,30 €
    auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, very pasty...
  • Medium retardante de secado Lascaux
    4 Variants
    Medium retardante de secado Lascaux
    from 9,70 €
    retards the drying time of acrylic paint, acrylic polymer in water/propranediol mixture, colourless transparent, pasty consistency, thinnable with water (up to 1:10), additive amount for acrylic paint: 10-30%,...
  • Aglutinante acrílico Modulor D 498, satinado
    2 Variants
    Aglutinante acrílico Modulor D 498, satinado
    from 12,90 €
    medium for acrylic pigments, semi-gloss when dry
  • Gel blando Golden Soft
    3 Variants
    Gel blando Golden Soft
    from 14,60 €
    acrylic polymer binding agent, water-based, viscous, milky white in liquid form, transparent or, alternatively, translucent colourless when dry, miscible with acrylic paints, other gels, pastes and painting mediums,...
  • Barniz acrílico transparente UV Lascaux
    9 Variants
    Barniz acrílico transparente UV Lascaux
    from 10,00 €
    pure acrylic dispersion with UV absorber, can be thinned with water, abrasion-proof, waterproof, weather-resistant, age-resistant, lightfast, for stable and flexible surfaces; coverage rate: about 40-70 ml/m² per...
  • Barniz Royal Talens Amsterdam
    4 Variants
    Barniz Royal Talens Amsterdam
    from 6,00 €
    final varnish for acrylic and oil paints, acrylic resin-based, white spirit, turpentine oil, transparent colourless, non-yellowing, can be thinned and removed with white spirit, hazard warning: Xi = irritant, F+ =...
  • Medium retardante de secado Royal Talens Amsterdam
     
    Medium retardante de secado Royal Talens Amsterdam
    from 6,20 €
    delays the drying time of acrylic paints, slowly evaporating polyhydric alcohol, transparent colourless, can be thinned with water, maximum additive amount to acrylic paint is 5%
  • Productoss aux. Pebeo para pintura acrílica Studio
    23 Variants
    Productoss aux. Pebeo para pintura acrílica Studio
    from 4,30 €
    various auxiliaries for use with Studio quality acrylic paints: includes primer, medium creating structure and texture, medium for increasing glossiness, etc.
  • Polímero acrílico Golden GAC-900
     
    Polímero acrílico Golden GAC-900
    from 14,60 €
    acrylic polymer binding agent, water-based, liquid consistency, milky-white in liquid condition, hazard warning: Xn = hazardous to health
  • Pasta de estructura para pintura acrílica
    6 Variants
    Pasta de estructura para pintura acrílica
    from 11,80 €
    paste for modeling of relief-like structures in acrylic painting techniques, acrylic resin based, natural white and opaque, matte, waterproof when dry, can be painted over and dyed, can be sanded, physiologically and...
  • Medium acrílico Golden Glazing Liquid
    2 Variants
    Medium acrílico Golden Glazing Liquid
    from 10,50 €
    pure acrylic polymer emulsion, water-based, milky white, transparent colourless when dry
  • Medium de acabado mate Lascaux
     
    Medium de acabado mate Lascaux
    from 14,60 €
    aid for attaining a matte effect for acrylic paints, silicic acid with acrylic polymer in water, semi-transparent, matte and water soluble when dry, can be thinned with water, no binders, lightfast (non-fading),...
  • Medium metálico-iris. Daler-Rowney Shimmering Col.
    7 Variants
    Medium metálico-iris. Daler-Rowney Shimmering Col.
    from 6,50 €
    water-based, high viscosity, elastic-hard and waterproof when dry, colours are intermixable and can be mixed with acrylic paint
  • Gel Royal Talens Amsterdam
    2 Variants
    Gel Royal Talens Amsterdam
    from 10,30 €
    auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
  • Medium espesante Lascaux
    2 Variants
    Medium espesante Lascaux
    from 8,85 €
    auxiliary for increasing the viscosity of acrylic paints; acrylic polymer in water, transparent colourless, pasty consistency, thinnable with water (up to 1:10), no binding agent, additive amount to acrylic paint: up...
  • Gel para estructuras Golden Glass Bead
     
    Gel para estructuras Golden Glass Bead
    from 15,20 €
    acrylic polymer binding agent with glass beads added, water-based, pasty consistency, translucent colourless, glossy when dry, hard, miscible with acrylic paints and other gels and pastes and painting mediums,...
  • Laca brillante para pintura acrílica Schmincke
     
    Laca brillante para pintura acrílica Schmincke
    from 11,90 €
    water-based protective varnish for acrylic painting especially in outdoor areas (improves weather resistance), pH 8-10, viscous, transparent colourless when dry, no hazardous label required by the German Hazardous...
  • Gel acrílico de fibras Schmincke
     
    Gel acrílico de fibras Schmincke
    from 6,40 €
    modelling effect gel for acrylic painting, made with pure acrylate, pigments, additives and water; pH is 8-10, transparent colourless, pasty consistency, white when dry, no hazardous label required by the German...
  • Medium retardante de secado Golden
     
    Medium retardante de secado Golden
    from 9,50 €
    agent for lengthening the open (drying) time of acrylic paints, amount of additive to the paint should not exceed 30%
  • Gesso Golden
    2 Variants
    Gesso Golden
    from 13,90 €
    primer coat for acrylic and oil paints, pigments in acrylic copolymer, water-based, liquid consistency, high coverage (opaque), matte and flexible when dry, can be thinned with water, highly lightfast (non-fading),...
  • Gel nivelador Golden
     
    Gel nivelador Golden
    from 14,60 €
    acrylic polymer binding agent, water-based, slow-flowing, pourable, milky white when liquid (wet), transparent colourless and high gloss when dry; mixable with acrylic paints, other gels and painting mediums;...
  • Gel de piedra de pómez Golden
    3 Variants
    Gel de piedra de pómez Golden
    from 13,80 €
    acrylic polymer binding agent with pumice added, water-based, pasty consistency, light grey and opaque, matte and rough when dry, absorbent, hard, miscible with acrylic paints and other gels and pastes and painting...
  • Gel denso Golden Heavy
    3 Variants
    Gel denso Golden Heavy
    from 14,60 €
    acrylic polymer binding agent, water-based, very pasty consistency, white when wet, translucent colourless when dry, mixable with acrylic paints, other gels and painting mediums; waterproof, flexible, lightfast,...
  • Gel brillante Schmincke College
     
    Gel brillante Schmincke College
    from 7,90 €
    auxiliary for increasing glossiness on acrylic paintings, made of copolymer dispersion, additives and water; pH is 8-10, transparent colourless, very pasty consistency, glossy when dry, no hazardous label required by...
  • Gel para estructuras Golden Clear Granular
     
    Gel para estructuras Golden Clear Granular
    from 15,50 €
    acrylic polymer binding agent with acrylic granules added, water-based, pasty consistency, translucent colourless, glossy and rough when dry. absorbent, hard, miscible with acrylic paints and other gels and pastes and...
  • Gel acrílico Schmincke Golden Flakes
     
    Gel acrílico Schmincke Golden Flakes
    from 7,10 €
    sculpturing metallic effect gel for acrylic painting, made of pure acrylate, pigments, additives and water; pH is 8-10, gold-coloured, pasty consistency, metallic/crystaline when dry, no hazardous label required by...
  • Gel Royal Talens Amsterdam Extra Heavy
    2 Variants
    Gel Royal Talens Amsterdam Extra Heavy
    from 10,30 €
    auxiliary agent for increasing viscosity and transparency of acrylic paints, acrylic resin dispersion (the matte version of the gel medium has the matting agent silicate), thickening agent, water-based, extremely...
Información sobre Productos auxiliares para pintura acrílica

Golden Auxiliaries for Acrylic Painting

The Golden auxiliaries for acrylic painting include primers (grounds) for preparing painting surfaces as well as painting agents and additives with which the processing characteristics as well as the transparency, glossiness and viscosity of acrylic paints can be altered.

A third, very large group is comprised of the gels and textural (form) pastes whose general attributes and differences are the subject of these introductory remarks.

Gels and textural pastes primarily serve as a way to build structures and textures in the acrylic painting process while at the same time altering the level of glossiness and transparency of the acrylic paints themselves. The range of different consistencies runs from liquid and pourable (e,g. GOLDEN SELF LEVELING CLEAR GEL) to very pasty and mouldable (e.g. GOLDEN LIGHT MOLDING PASTE), while the level of glossiness that is customizable runs from high gloss to deep matte. The difference between gels and textural pastes lies in their transparency or, from the other perspective, their opacity. Both are white in colour when liquid; gels, however, become transparent colourless or, alternatively, translucent colourless when dry while textural pastes, on the other hand, are white opaque when dry because they contain additives like, for example, marble dust. When mixed with acrylic paint, textural (form) pastes increase the paint´s opacity but nonetheless make it more “pastel-like” -  much like the addition of white acrylic paints does.

A gel is basically an acrylic paint without the pigments – in other words it functions like a binding agent. This makes gels perfect for extending (thinning) paints for cost-saving or artistic purposes. If a large amount of gel is added to a paint it will increase its transparency while still allowing it to keep its good paint application properties. The glossy, semi-matte or matte gel versions can be selected based on the desired glossiness for your acrylic paint.

Another use of gels and pastes is the alteration of an acrylic paint´s consistency. GOLDEN HEAVY BODY ACRYLICS, for example, can be made more fluid by adding CLEAR TAR GEL, while with EXTRA HEAVY GEL it can be made more pasty in order to use it for the impasto painting technique. Structural elements can of course be built up with pure gels or pastes whereby they can subsequently be painted over with acrylic colours. This method produces the most pronounced structure.

Because most of the gels are indeed pure binding agents they can be used in conjunction with dry pigments to make your own acrylic paints! For this project the glossy gel versions have the best binding properties and change the luminosity of your pigments the least.

Gels and pastes are also great for gluing collages because of their adhesive properties.

The Golden gels and pastes have the same degree of waterproofness, age resistance, lightfastness as well as archival quality as the acrylic paints.

Processing: Gels and pastes can be used as grounds (primers), can be applied over acrylic paints or can be mixed with them. Most of the gels and pastes are intermixable and can also be mixed with other mediums and additives. They can be applied to practically all grease-free surfaces; non-absorbent substrates must be sanded prior to application. The minimum working temperature is +9 °C. All mixing work should be done with a great degree of finesse because strong stirring or (God forbid) shaking will cause unwanted foam to develop. Drying times are dependent on environmental factors like temperature, humidity and ventilation and can be as long as months in the case of thick applications. The milky film of the binding agent only disappears after curing has completely finished. Any tools used can be cleaned with water and soap.

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